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INTERDISCIPLINARITY AS THE BASIS OF INTEGRITY OF THE PROCESS OF TEACHING DECORATIVE AND APPLIED ARTS // Pedagogical Review. 2020. Issue 4 (32). P. 124-130

The article is devoted to the identification of ways to improve professional training of artists of decorative and applied arts in the system of higher education. The reasons for the lack of understanding of theoretical and practical knowledge by students have been identified, among which the most significant problem is the absence of interprandial links between educational subjects. A variety of associative and dissociative connections in the vision of the same object or phenomenon have been proven to be a leading sign of understanding that forms sustainable systemic knowledge. Possibilities of using the methods of «discourse» and «interpretation» in mastering the content of the training course «Cultural studies» and the cycle of professional disciplines aimed at mastering the principles of design of applied arts and their materialization are identified. It is shown that discourse, as an analytical process and method of cognition, mediated by artistic-shaped perception and intuition, activates reclusive dialogue, development of alternative options, critical analysis of its actions, formulates assessment judgements and author ‘s reflexion, as necessary qualities of the artist-applied, capable of selfknowledge and self-development. The method of «interpretation» deepens the understanding of signs, symbols and meanings in the context of their professional activities. The conditions for the use of the designated methods in the educational process of the university have been identified and justified. It is concluded that interprandial ties in the teaching of decorative and applied arts intensify the holistic understanding of knowledge and increase the possibilities of their application in new situations, encouraging independence and personal self-realization.

Keywords: technique of training in arts and crafts, intersubject communications, cultural science, methods of «discourse» and «interpretation»

IINDIVIDUAL PROFESSIONAL AND CREATIVE TRAJECTORY OF STUDENT DEVELOPMENT AS A STRATEGY OF MODERN MUSIC EDUCATION // Pedagogical Review. 2021. Issue 5 (39). P. 148-155

The article deals with the problem of actualizing personality-oriented approaches in the system of higher music education as a strategy driven by the challenges of modern culture. It is noted that today the professional environment requires, in addition to mastering performing skills, the formation of the ability for self-development, self-actualization, independent choice of strategies for creative development, adaptive and communication skills and abilities. The constructing by the teacher, together with the student, of an individually creative trajectory of the development of a musician-performer is assessed as a way to achieve these goals. The concept of «individual professional and creative developmental trajectory» of a student as musician-performer through the synthesis of professional and creative competencies and the availability of soft skills has been explicated. The authors propose possible approaches to achieving the set educational goals through the creation of social and pedagogical conditions, such as the primary diagnosis of the student’s musical performance level, the creation of «educational and creative situations», the development by the university the integrated formats of studies, the organization of all types of practices in the context of an individual development trajectory, independent work of a student as a tool for updating the process of forming competencies. The article considers and analyzes the peculiarities of preparation of a musician-performer from the viewpoint of building the dynamics of the learning process as a movement from «subjectobject » to «subject-subject» interactions in the «teacher-student» dyad, which is based on the principle of student-centered educational process. The article suggests and describes possible strategies for building the educational process, the core of which is personalization and self-actualization of the creative potential of a musician-performer; development of motivation for self-organization, self-education, self-development in the preparation of a student; focus on productive adaptation in a professional environment, which involves the integration of professional performing skills and soft skills; unity of preserving domestic traditions of music education and openness to the dynamics of innovative educational strategies.

Keywords: music education, individual professional and creative trajectory of student development, competence-based approach, subjectivity, soft skills, educational environment of the university

Individual educational trajectory as a factor in student training in the direction of “Choreographic Art” // Pedagogical Review. 2024. Issue 1 (53). P. 47-53

The article discusses the basic principles of the organization of methods and techniques for building an individual trajectory of education in the process of preparing a choreographer student in the direction 52.03.01 “Choreographic art”. The authors focus on the actualization of this problem in the context of graduate training in artistic specialties at the University of culture. The angle of consideration of this problem is determined by the personalistic approach as a way of centered interaction between a teacher and a student, which is based on partnership determined by building an individual trajectory of student development in the context of the educational environment of the university. The individual trajectory of education is understood by the authors as a step-by-step process of movement projected by the department from the goals to the results of mastering professional competencies and the formation of a graduate’s personality as a subject of artistic, creative and pedagogical activity determined by the motivation for further independent growth. According to the authors, the educational environment of the University of culture should be formed as meeting the strategy of student-centricity – the defining vector of training in the areas of artistic profile. The features of achieving professional goals and objectives of the educational program “Choreographic art”, orientation (profile) “Pedagogy of modern dance” are revealed: pedagogical, creative and performing, choreographic and staged. The principles of designing and implementing an individual trajectory of education in this direction are formulated.

Keywords: student-centered, personality-oriented approach, choreographic education, modern dance, individual development trajectory, personal and professional growth, professional environment, employer